The publication was the June 1964 issue of Modern Photography the image was a color photograph of hibiscus flowers, taken by the magazine’s editor Patricia Caulfield, which formed part of a two-page spread about a new Kodak color processor designed for amateurs. Stein, 1973, Geldzahler Papers, Beinecke Library). Geldzahler, quoted in unpublished interview with J. “I said, ‘Andy, maybe it’s enough death now.’ He said, ‘What do you mean?’ I said, ‘Well, how about this?’ I opened a magazine to four flowers” (H. Geldzahler proposed a change: “I looked around the studio and it was all Marilyn and disasters and death,” he recalled. Car crashes, electric chairs, race riots and other scenes of catastrophe had populated the artist’s most recent body of work, each a blank-faced commentary on the dark underbelly of contemporary American life. It was reportedly Henry Geldzahler, the young Metropolitan Museum of Art curator, who gave Warhol the idea for the Flowers. The present work and its two companions were installed in a row, in between a set of four 48 by 48 inch Flowers and a vast single wall of 24 by 24 inch canvases. Within the gallery, Castelli chose to emphasize the serial nature of the Flowers by creating grid-like installations of different size groups, drawing attention to the subtle variations within each set of images. Smith, Andy Warhol’s Art and Films, 1986, p. As the dealer Ivan Karp recalled, “they were totally successful and we sold them all! … That’s one of those immortal images. The exhibition, which took place several months later in November, was an instant critical and commercial triumph. The artist and dealer had cemented a partnership in the summer of 1964: Castelli’s gallery was at the time the epicenter of the New York art world, and Warhol-fresh from his celebrated Death and Disaster series-had by this stage taken his place firmly at the forefront of Pop. The Flowers exhibition-Warhol’s debut with Leo Castelli-shook the art world. Guggenheim Museum, New York and the Menil Collection, Houston. Other smaller works with this color scheme are held in collections including the Solomon R. The present work is the only example of its scale to feature four white flowers, gleaming brightly like beacons against their deep green roots. ![]() Here, in bold, luminous tones, was an image that spoke to the beauty and tragedy of modern life: a thrilling encounter between humankind and nature, riddled with tantalizing Warholian enigma. The work was one of three of this size selected for Warhol’s historic show at Leo Castelli Gallery in 1964: a landmark, sell-out exhibition that would go on to become synonymous with the heyday of American Pop Art. ![]() Representing the largest square format within Warhol’s original 1964 series, it is one of just nine hand-embellished Flowers of this scale and crop recorded in the artist’s catalogue raisonné-two reside in the Andy Warhol Museum, Pittsburgh, with a further example held in the Hirshhorn Museum and Sculpture Garden, Washington D. With its dazzling arrangement of four white blooms rendered on a spectacular 82 by 82 inch scale, Andy Warhol’s Flowers is a rare and majestic painting from one of the twentieth century’s most iconic bodies of work. The Early Sixties Paintings and Drawings 1961-1964, September 2010-January 2011, p. Series and Singles, September-December 2000, p. 11 (illustrated).īasel, Fondation Beyeler, Andy Warhol. Ausgewählte Werke einer Privatsammlung, July-September 1985, no. Kunsthalle Basel, Von Twombly bis Clemente. Works in Series, October-November 1972, p. 67 (London).Ĭorpus Christi, Art Museum of South Texas, Johns, Stella, Warhol. Pasadena Art Museum Chicago, Museum of Contemporary Art Eindhoven, Stedelijk van Abbemuseum Musée d'Art Moderne de la Ville de Paris London, Tate Gallery and New York, Whitney Museum of American Art, Andy Warhol, May 1970-July 1971, p. ![]() Pasadena Art Museum, Painting in New York: 1944 to 1969, November 1969-January 1970, pp. Powers Collection, September-December 1966, no. Ridgefield, Larry Aldrich Museum, Selections from the John G. Flower Paintings, November-December 1964. New York, Leo Castelli Gallery, Andy Warhol.
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